I can hardly believe it! I sat down to write a post about another Guns N Roses MoSS? Madness Championship. A victory that looked like a sure thing after checking the voting status last night. A victory that would have been heralded through all the land. But I guess it just wasn’t meant to be. Today, while checking the final voting numbers, I discovered a massive influx of votes for Nirvana. With 61% of the vote, this late run of support pushed “Smells Like Teen Spirit” into the lead for Nirvana’s first MoSS? Madness Championship!
Help us celebrate Nirvana’s win by watching the “Smells Like Teen Spirit” video below and remembering just how kick-ass it really is as your favorite “Side One, Track One.”
Thank you all for voting. Unfortunately, now it’s back to the daily grind. Back to work with no silly competitions or brackets to distract us. You may be wondering, “What will my bosses think when I’m all of the sudden productive at work again?” I have the solution. If you feel as though you are doing too much work or maybe going above and beyond your normal daily tasks, stop what you are doing and watch this awesome shot-for-shot remake of the Bosom Buddies opening credits featuring Paul Rudd and Adam Scott. See you all next year!
The Final 4 votes have been tallied and we are down to the last two songs! Neither of the match-ups were particularly close. Both winning songs collected roughly 75% of the votes. In the final round, Guns N Roses, “Welcome to the Jungle” will match-up against Nirvana, “Smells Like Teen Spirit.” Wow. This is going to be a tough decision.
Final round voting is now open. If you need a little help getting in the competitive spirit, watch this inspirational video from the movie Over the Top. In this clip, formerly deadbeat father Sly Stallone competes for his son’s love and arm wresting glory in a tournament where “Winner Takes It All.” Don’t forget to vote after…
The Elite 8 votes have been tallied and we are down to the Final 4 songs. We lost another #1 seed as #2 Rolling Stones bumped off Jimi Hendrix in the closest voting of the round. They will go up against Nirvana, who handily won their match-up against Led Zeppelin. On the other side of the bracket, Prince advanced in yet another close match-up as he narrowly beat The Doors. He will go head to head with Guns n Roses in his bid to advance to the finals.
Final 4 voting is now open. If you need a little help getting in the competitive spirit, watch this inspirational video from the movie Bloodsport in which a bevy of bloodthirsty martial artists “Fight to Survive” the illegal underground tournament known as “The Kumite.” Look for cameos from Ogre, Forest Whitaker and the Jean Claude Van Damme testes squashing split. Don’t forget to vote after…
The votes are in and we only had one #1 seed get knocked off! The Beatles “A Hard Days Night” was beaten by The Doors “Break On Through” by one single vote. Wowzer. I know I was shocked. Many of the match-ups were quite close. Prince narrowly defeated The Smashing Pumpkins by 2 votes and Beck squeaked past The Ramones by just a few ballots. You can see how valuable your votes are so keep it up and invite your friends to participate too.
If you thought the Sweet 16 round choices were difficult you will find the Elite 8 next to impossible. I think I am most looking forward to the match-up between last round’s two biggest vote getters, Nirvana’s “Smells Like Teen Spirit” and Led Zeppelin’s “Whole Lotta Love.” It took me quite awhile to pick one. My advice to you, sit back, relax, listen to both songs with a cocktail and vote with your gut. Remember, there is no wrong choice (unless you pick opposite me.)
Elite 8 voting is now open. If you need a little help getting in the competitive spirit, watch this inspirational video from the movie Teen Wolf in which a 5′ 2″ Michael J. Fox proves that he and his ragtag basketball team can “Win in the End” with suspect defensive skills and without special werewolf powers. Don’t forget to vote after…
It’s time again baby! That’s right, the most exciting event since the invention of the bracket, MoSS? Madness 2014. This year we are keeping with the Sweet 16 model from last year. Why only 16? Well, many reasons. First, no early round snoozer match-ups. Who wants to sit through a bunch of blow outs before we get into the good stuff? Second, I’m lazy. I can only spend so much time at my PC using Google Docs and MS Paint for this stuff. Third, what’s with all the questions? Just go with it and mind your business.
This year you are going to be voting for your favorite “Side One, Track One” song. Not familiar with the term “Side One, Track One?” Remember back in the old days when we had to listen to albums and tapes? We’re talking about the rare instance when an artist or band kicks off side one of their album with a particularly great song. Most times (not all the time) this turns out to be the start of an excellent album as a whole. Others times the artist blows their wad right away and the rest of the album is,well, a turd.
With only 16 songs in the competition, many songs didn’t make the cut. Some of your favorites may not be on the mix. Can’t wait to hear about the ones we should have included. Really. Give us hell in the comments. You may be wondering, “How can one choose between such beloved classics as “Let’s Go Crazy” and “Smells Like Teen Spirit?” A difficult task no doubt. You’ll have to figure that out if you want to help us crown the MoSS? Madness 2014 Champion.
Also, everyone should send their condolences to Chris. His Iowa Hawkeyes lost in their bid to get into the NCAA round of 64 last night. Valiant effort though boys. Now I expect you all to be cheering for my #3 seeded Iowa State Cyclones. Let’s go Clones! First things first, vote below!
When you visit the homes of people my age and take a peek at their CD shelves (only people my age still have CD shelves), you’ll likely find some common denominators in the soundtrack section*: Pulp Fiction, The Crow, Pump Up the Volume, Judgment Night (right?), Wayne’s World (for those who’ve never heard of Disc-Go-Round), and arguably the best soundtrack of that time, Singles.
(* I’m assuming everyone follows my lead and files their soundtracks separately, in ABC order, after the regular albums sorted A-Z by artist; those regular albums are sorted chronologically within the artist, with singles sorted outside of the full-length albums, and any bootlegs toward the end of the artist sort…)
We all owned the Singles soundtrack because it was 1992 and the movie was set in Seattle and had a lot of Seattle bands on the tracklist (despite no Nirvana). But now, as the soundtrack turns 20, we should ask “What was really so great about it?”
There are certainly good things here:
Two exclusive (and great, not throwaway) Pearl Jam songs*
A song from Alice in Chains upcoming masterpiece
An exclusive Soundgarden song
An acoustic solo jam by Chris Cornell
An underrated Hendrix song from Are You Experienced?
(* more on Pearl Jam later)
It also features:
An interesting Led Zep cover by the girls from Heart
A revered track by Mother Love Bone that I find boring
A by-the-numbers early ’90s song by Screaming Trees
A Mudhoney song that I always skipped because I never understood what everyone liked about Mudhoney
Two cheeseball suckfest tunes by Paul Westerberg
These bulleted lists don’t exactly support any statement about Singles being the best soundtrack of its era, but the next paragraph—which will consist of just one word—is all you need to make the case.
Smashing Pumpkins, more or less a one-man band (well, two, as Jimmy Chamberlin could not be sidelined in the studio by Billy Corgan like James Iha and D’Arcy were) from Chicago, fresh off the impressive debut album, Gish, dropped one of its three truly epic songs from the early days (“Silverfuck” and “Starla” being the other lengthy moments of genius) to close out the album. As someone who spent his senior year of high school listening to Gish on repeat and writing “Smashing Pumpkins” on desks throughout Waukon Senior High (especially in pre-calculus class; sorry about that, Mr. Strike), I was excited for new material.
And this was eight minutes of the Billy Fucking Corgan Experience. A nice groove, laid-back vocals, quiet-loud dynamics, killer drum fills, and then four minutes of feedback bliss, layered many times over. (One of the funniest Guitar World transcriptions ever was this song; I’m barely paraphrasing the annotations for the last four minutes: “Guitar 1-8: droning feedback for the next 60 measures”.) And as a result, the Windy City stole the show from the home team (even though many people back then probably lumped SP in with the “Seattle Scene”).
And because Pumpkins fans were somewhat obsessive even at this early stage, the entire soundtrack was a must-have. BECAUSE BACK IN MY DAY, WE DIDN’T HAVE NO FANCY iTUNES/BUY ONE SONG AT A TIME ON THE INTERWEBS ARRANGEMENT. WE COULDN’T SHARE MUSIC VIA NAPSTER OR GNUTELLA OR WHATEVER ELSE. WE DIDN’T HAVE SHINY CD-Rs AND 2x WRITE SPEED CD BURNERS! WE WENT TO MUSICLAND OR SAM GOODY OR BEST BUY AND GRABBED THOSE LONGBOX-PACKAGED CDs AND WE PAID MORE THAN WE SHOULD HAVE AND WE LIKED IT!
Anyway, what was I saying?
Oh yeah, Singles. Despite my dislike for a few tracks, this remains my favorite motion picture soundtrack from the flannel-adorned era. But while considering the merits of this soundtrack, I found myself admitting some truths, some that I couldn’t see back in the grunge days.
Namely, the movie really isn’t all that great. Certainly nowhere near as good as the soundtrack.
The Cameron Crowe flick about young pathetic adults in Seattle trying to figure out the method of modern love (an area of expertise for Hall & Oates) featured a long-haired Matt Dillon as a rocker dude in Seattle who DOESNT use heroin (what?!?); a boob-conscious Bridget Fonda who likes long-haired Matt Dillon but wishes the shiftless layabout would say “bless you” or “gesundheit” every time she spreads her vocal-crippling germs; an Xavier McDaniel-loving wussy (played by Campbell Scott) who wants to build trains all over the city so that he can continue to play with model trains in his apartment; and a “she’s kind of hot, I guess” Kyra Sedgwick, who doesn’t like Xavier McDaniel but likes to deliver and receive lines like “I was just nowhere near your neighborhood” as a prelude to sex romps with guys who do like Xavier McDaniel. (So far I might be overemphasizing Xavier McDaniel’s importance to the central plot.)
Initially it was easy to look past these lame lead characters because of all the musician cameos: Eddie, Jeff, and Stone from PJ as Dillon’s bandmates; Chris Cornell walking into the glass-shattering car stereo scene; live shots of Soundgarden and Alice in Chains. But once that novelty wears off, you have to deal with the uber-wuss Campbell Scott character and his convoluted road toward the improbable ensnaring of Mrs. Kevin Bacon, and the boring Matt Dillon-Bridget Fonda relationship, which finally coalesces once rocker boy finally says “bless you” after a sneeze*. The movie comes off feeling kind of corny now rather than cool or hip.
(* That specific aspect, the “I want a guy who says ‘bless you’ when I sneeze,” I really took that to heart. For my entire collegiate career, I found myself hoping to meet up with some hot chick, preferably one who suffers from hay fever, so I could drop the bless you line on them and then enjoy the acceleration into Intimacytown. Instead I got weird looks or perhaps a “thanks” and that was that. This movie made “bless you” out to be some sort of love hypnotism! Damn you, Crowe!)
Poor Pearl Jam.
Another crime committed by this movie: setting Pearl Jam up for a fall. The crew formerly known as Mookie Blaylock chipped in two solid tunes for the soundtrack, on the heels of its breakthrough debut album. The sky’s the limit, I said. But while Smashing Pumpkins rode the wave to new heights in the summer of 1993 with Siamese Dream, Pearl Jam would soon suffer some setbacks, one of which was completely out of the band’s control…
My entire freshman year at UNI, rooms up and down my corner of Rider Hall were blaring Ten, which wasn’t exactly a new album at this point but still a big deal. I remember one night where we feared one of our buddies had overindulged in the beer department, only to have him spring to life from the couch (or floor, who can remember) to join Eddie for the chorus of “Alive”. I remember the group sing-alongs we would have to the verses of “Even Flow” (“REEEEE-SAYYYYYYYY NUMMA NUMMA NUMMA NUMMA NUMMA MADE OF CONCRETE!”) Each Friday, as many students would grab their suitcases and head for their cars, someone would blare “Why Go” and crack open another 12-ounce container of Milwaukee’s Best Light. It was great, the soundtrack to life in the dorms.
But when I returned in the fall of 1993 for my sophomore year, some dudes were still playing it. All. The. Time.
I’m as guilty as the next guy of overkill. My roommate that year told me I ruined Siamese Dream for him because of how frequently I played it. But at least it was fresh! Before long, Ten became unlistenable by choice, dropping PJ a notch or two below the lofty altitudes cruised by the Pumpkins and Nirvana.
And then PJ put out Vs., an album I actually pre-purchased at Sam Goody. I was soon longing for another 638 listens to Ten, as Vs. was pretty much ZZZZZZZ for me. (Did Pearl Jam ever pull out of this tailspin? I heard they kept making records despite my disapproval…)
Yes, the soundtrack is good, but No Alternative is the better ’90s time capsule.
It’s not apples to apples, since one is a soundtrack and the other is a fundraising compilation, and one basically limits itself to Seattle while the other can pick and choose from the entire “alternative” genre. But if I’m going to take an early ’90s nostalgia trip via a prepackaged CD, I’m going to choose No Alternative over Singles. The 1993 compilation has “Glynis,” an exclusive track from the Pumpkins (not on the same level as “Drown,” but it’s one of Billy’s nice quiet moments). We get an oral history of R.E.M. courtesy of Pavement’s “Unseen Power of the Picket Fence.” We get a nice track from Sarah McLachlan before she became synonymous with mistreated animals and the largest-ever synchronized ovulation. Bob Mould’s song is heartfelt. Urge Overkill’s 15 minutes of fame happened around this time; as such, we get a song from them. Soundgarden and Sonic Youth make an appearance. The Breeders and the Beastie Boys offer live tracks (the latter is really interesting, a great run-through of a Licensed to Ill gem).
And this time, we get Nirvana. We didn’t know this (or at least I didn’t know this) when we grabbed the CD, as the song wasn’t listed on the back cover. But once the last listed track (a cool Patti Smith performance) runs out, we are greeted by clean chords and Kurt’s voice, followed quickly by the click of a distortion pedal and Nirvana’s wonderful mix of fuzz and pop. This song rivals some of their most enjoyable pop, right up there with “About a Girl” and “Lithium.”
Yeah, there are some tracks I skip (that would be you, Soul Asylum). But at least no one sings about having a dyslexic heart here.
The Cinderella story continues! Thanks to your votes Pearl Jam (again by a single vote) was victorious over David Bowie to move into the Sweet 16. #15 seeds Smashing Pumpkins and The Cure also dominated in their respective match-ups to move on to the next round. The remaining #1 seeds all won their pairings and look to remain undefeated. Can Pearl Jam prolong this amazing run through to the Elite 8? Will we lose a second #1 seed? I think even Pink Floyd would vote against Pink Floyd in their upcoming match-up against The Beatles. Now it is up to you, the readers, to decide. All four regions’ match-ups are ready to go. Please make your selections below.
The Cinderella story continues! Thanks to your votes Pearl Jam, again by a single vote, was victorious over David Bowie to move into the Sweet 16. #15 seeds Smashing Pumpkins and The Cure also dominated in their respective match-ups to move on to the next round. The remaining #1 seeds all won their pairings and look to remain undefeated when the voting for the MoSS? Madness Sweet 16 begins on Thursday. Click on the bracket above to see which other artists moved on.
Again, thanks for voting. It’s been a long 4 days of basketball, brackets and ridiculous musical death matches. You may find it hard to go back to your normal lives again. Do you actually have to WORK at the office now? The answer is no. Please view this youtube clip from the movie Teen Wolf to help keep you distracted from your daily tasks.
Thanks to your votes the impossible happened. A #1 lost to a #16 in March! That’s right, by one single vote, Pearl Jam handed Elvis Presley a first round defeat. That wasn’t the only highly ranked artist to get knocked out in the first round. Much like Hampton over Iowa State (That one still stings), 2 seeds were dropping like flies. My beloved Smashing Pumpkins easily handled rock and roll legend Chuck Berry. The Cure squeaked out a 1 vote victory over “Soul Brother Number One” James Brown (Chris should be very pleased). Nine Inch Nails narrowly escaped their pairing with Little Richard. The only victorious #2 was guitar god Jimi Hendrix who put a beat down on Journey. I guess you can stop believin’ now Steve Perry.
The upcoming Round of 32 should be equally as exciting. There are going to be some great match-ups. Can the straight forward hard rock of Van Halen prevail over Metallica’s overpowering heavy metal? Can Pearl Jam pull off another Cinderella-style victory and beat glam rock icon David Bowie for a spot in the Sweet 16? You, the readers, will decide. All four regions’ match-ups are ready to go. Please make your selections below.
The match-ups for the round of 64 are set. Dexy’s Midnight Runners survived a late rally by Right Said Fred to earn the last #16 seed. Dexy will be going up against the Beatles in the first round. Can they pull a spectacular upset over “The Fab Four”? It won’t be easy, but your votes could move them on. All four regions’ match-ups are ready to go. Please make your selections below.