Crystal Castles’ upcoming album: Eponymous? (Probably.) Awesome? (Probably.)

The other day, the heir to the throne (who turns 6 very soon, gotsta get some Phineas & Ferb swag for the DS, yo!) asked me about my favorite songs of all time. Yep, Junior threw down the impossible question for music nerds. I can handle favorite groups/artists (Cure, Beatles, Nirvana, Portishead, and Duran Duran, for starters). I might be able to rattle off my favorite albums, at least #1-4 with confidence (Disintegration, Loveless, Revolver, and The Velvet Underground & Nico).

But songs? To quote Clay Davis from The Wire, “Shiiiiiiiiiiiiiiiiiiiiiiiiit.”

Can’t do it, G. “A Day in the Life” is probably #1, if you stick a gun in my face. “Plainsong” by the Cure is my favorite song of theirs, so I’m sure that’s up there. “The Rain Song” by Zeppelin is one of those songs I love. “Time Has Told Me” and “Pink Moon” by Nick Drake. “Three Days” by Jane’s Addiction. “Love Will Tear Us Apart” by Joy Division. “Scentless Apprentice” by Nirvana. “Enjoy the Silence” by Depeche Mode. “Welcome to the Terrordome” by Public Enemy. “Natural’s Not in It” by Gang of Four. And about 3,534 more contenders I might list. And then you want me to prioritize them?

So I went with the redirection strategy. “I dunno. What are your favorite songs?”

Ethan Kath and Alice Glass of Crystal Castles stand in an alleyWithout blinking an eye, Will came up with his top three.

“‘Beep Beep’ is #1.” (Read: “Celestica” by Crystal Castles. He’s referencing the occasional electronic “beep-beep” noise throughout the song.)

“‘Bathtism’ is #2.” (Read: “Baptism” by Crystal Castles. And no, it’s not a speech impediment. He thought it was some sort of washing affliction, I guess.)

“And then #3 would be that Radio Dept. song.” (Read: some song by The Radio Dept. [shrug])

I admire my son’s definitive opinion, and it’s obvious my influence has rubbed off on the boy. Crystal Castles’ 2010 eponymous collection was my favorite album that year; and my son’s “favorite song of all time” is arguably my favorite song from that year. (I would argue that “Bathtism/Baptism” is the third best song on that album, behind the Robert Smith-vocalized “Not in Love.”)

So you can imagine our collective excitement when I read today that the Canadian duo will land in Croatia to record album #3 in short order, with an eye for a summer release. In the wake of such euphoria, I was left to ask myself some questions…

Chris: What should they name this album?

Chris: Duh. The only acceptable title other than Crystal Castles is Self-titled.

Chris: Why do I think Alice Glass is hot?

Chris: The same reason people think Alison Mosshart or Karen O is hot: the music blinds their vision while amplifying their sense of hearing. And all you hear is passionate vocals, either delivered in reserved/heartbreaking tones (“Celestica,” “Suffocation,” “Tell Me What to Swallow”) or piercing screams (“Baptism,” “Alice Practice,” “xxzxcuzx me”) or, um, I dunno (“Crimewave,” “Untrust Us”) and you just find yourself having these primal reactions to the words, to the voice. And Alice is petite, brunette, dresses in black…that kind of works for me.

(As shallow as this sounds, I feel obligated to point out that Romy from the xx still doesn’t do it for me, even with that voice.)

Chris: Why does Music or Space Shuttle? scribe Todd not like Crystal Castles?

Chris: I don’t know! I always assumed this would be right up his alley, what with his love for Neon Indian and M83. No, they’re not the same, but similar enough in certain elements (the first album plays more like Neon Indian; some of the grandeur of the second album seems a bit M83ish). You can ask Todd yourself by sending him an email at toddisdumb@chrisrules.com (please use the Subject Line “Chris is so cool; what’s your deal?” to ensure a prompt response).

Chris: Why do I like them so much?

Chris: Listen to the lush opening chords of “Celestica.” Listen to the aggression in “Baptism.” Listen to the swell of the music as Robert Smith approaches the chorus of “Not in Love.” Listen to the abrupt synth mashup following each verse of “Pap Smear.” Listen to the sampling of Sigur Ros on “Year of Silence.” Listen to the disturbing, quiet cry for help in “Tell Me What to Swallow.” Listen to the confident groove throughout “Vanished” and “Crimewave.” Listen to the quirky Donkey Kong sample in “Air War.” Listen to the soaring synth against the restrained vocals in “Suffocation.” All of these moments are like fucking dopamine for my ears. That last sentence is the most efficient way for me to state my feelings toward this music.

Chris: Any chance this album won’t disappoint, given my love for the first two albums?

Chris: Sure, there are some reasons to be worried. After two albums, I thought Bloc Party was one of the greatest bands of the 21st century (although unlike Crystal Castles, I thought BP’s second album was a lateral move rather than a step forward). Then they put out Intimacy. [shudder] And you’ll never hear me defend the Crystal Castles live sound, at least based on the recordings I’ve heard (never seen ’em live).

But this is a band that recognized that the 8-bit sound that infiltrated much of its debut couldn’t dominate album #2, so they evolved. Ethan Kath seems to have the perfect muse in Alice Glass. The lone bum song on the second album (a cover song, so it was the lone song Kath didn’t write) was later elevated to untouchable status by collaborating with Robert Smith on a new version, which shows they are shrewd and credible. And they’re traveling to Croatia to record this new album, so I’m guessing they’ll be focused. (Not sure what I mean by that…)

And don’t forget: this band wrote and recorded the world’s greatest song ever (according to my son). They’ve probably got another good song or two…or 12…or 16…

I can’t wait to find out. Until then, we’ll always have “Beep Beep.”

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If Ian Curtis could hang himself again, he would

The better half is busting my balls to go to Disney World sometime soon, before our son loses interest in such festive fun. The boy already listens to Crystal Castles and Sigur Ros, so a typical childhood may not be in the cards, at least from an entertainment perspective. (Plus, in my opinion, Disney World is nothing more than an overhyped Adventureland, amiright?)

20120123-212632.jpgApparently the Rodent knows that my son’s musical leanings mirror mine, so he rolled out this gem of a T-shirt: the Waves Mickey Mouse, inspired by the cover of the Joy Division album Unknown Pleasures.

I was making a mix the other day, one that incorporated “Love Will Tear Us Apart,” and I said to myself, “What would be the perfect transition song from Joy Division? A song that will continue the melancholy of Ian Curtis?” Naturally I landed on “Zip-a-Dee-Doo-Dah,” so this shirt design makes perfect fucking sense.

Unless the next episode of Playhouse Disney involves Daisy carving the lyrics from “Atmosphere” into her torso or Goofy dangling broken-necked from the Mickey Mouse Clubhouse rafters, I’m calling hipster-baiting capitalist-greed bullshit on the Mouse. What’s next, a re-creation of Jane’s Addiction’s Ritual de lo Habitual cover with Mickey, Minnie, and Clarabelle lying naked and intertwined?

Bad form, Mouse. You’ve only strengthened my resolve to avoid your brand of theme-park fun!

(If you’re an asshole and want to buy this shirt, visit the Disney site.)