My 2015 Yearbook (will you sign it?)

chris and travis after seeing death grips

JUNE: Chris and Travis survived Death Grips. No small feat.

2015 was my quietest year in terms of blogging since Todd and I started Music or Space Shuttle? in late 2011, but it’s not for lack of outstanding experiences around music. The blogging part of my brain just got really lazy.

But after the holidays ran their course, I looked back at the great music that came out in ’15, and the various photos and videos I shot at concerts big and small, and decided I should package it all together. Even if no one else looks at this, it will serve to remind myself just how much fun it is to stay up late for a weeknight show in Iowa City or drive a few hours to St. Louis for a wonderful night at the Pageant or join up with my Riot crew to make Chicago our home for a few days to do a proper festival.

January 20
Bjork, the band formerly known as Viet Cong, and Sleater-Kinney all decide to drop new music on us. The Bjork album is beautiful; the Viet Cong release is brutal (in a great way); the Sleater-Kinney album didn’t suck as I feared it might and landed on my top 10 of 2015 at #7.

February 10
I did not like Fleet Foxes. At all. But I kinda like what this Father John Misty guy is doing on his own. Yeah. His latest LP, I Love You, Honeybear, held much more than the SiriusXMU staple “Bored in the USA.” “Chateau Lobby #4” and “When You’re Smiling and Astride Me” and “The Ideal Husband” are personal favorites, but really it’s an album you can enjoy front to back (even the electronic song grew on me). By year’s end, I rated it #3 among 2015 releases.

 

sleater kinney in concert

Once they went on hiatus, Sleater-Kinney was one of those “never saw ’em live” bands. Until 2015. (Photo by Christopher Clair)

February 13
You know those lists you make if you’re a nerd? One of those lists is “Bands I Never Got to See, Goddammit” and mine is painful to read. (The Nirvana entry is the worst.) But here’s the thing: in 2015, I got to cross off a couple of names. The first one: Sleater-Kinney, who played a pretty-close-to-dream setlist at the Slowdown (a pretty cool club in Omaha). Janet pounded her kit, Carrie punctuated her riffs with amazing high leg kicks, and Corin’s voice was in good form. To my surprise they played one of my favorite S-K songs (“Oh!”), and the songs that sounded so good on the new album also sounded great live. And “Dig Me Out” was so great.

March 16
Kendrick Lamar drops To Pimp a Butterfly. I immediately liked “Alright,” and also found plenty to like throughout the lenghty LP. Is it OK that I prefer good kid m.A.A.d city, though? Not trying to take a hipster stance here; I just find myself listening to more songs from the previous album when I want to queue up some Kendrick. (Tobias Jesso Jr. put out Goon a day later. Not as good as TPAB, but good all the same.)

March 19(ish)
Jenny Death, the second part of Death Grips’ double album The Powers That B, leaks online. I’m sure I waited until the album was officially released at month’s end to obtain these songs. Anyway, I put Jenny Death at #10 on my top albums of 2015 list.

March 24
Courtney Barnett will be a 2016 entry in the “From the MoSS? Pit” series; Sam, Travis, and our friend Ian from the Riot Fest crew are joining me at First Avenue in April 2016 to see her do her thing. (I swear I’m going to get better about timely posts about concerts.) We will all be enjoying songs from the album she put out on this day, which ended up at #4 on my top albums of 2015 list.

April 2
Mission Creek show #1: Real Estate. I’d seen them the year before at Pitchfork, and the venue (outdoors, summer) and the time of day (late afternoon, sun lazily going down) were perfect for the band’s aesthetic. But they put on a nice nighttime show in the Englert Theatre, as it turns out. Their sound is so clean, so pure. Nice way to open my trifecta of 2015 Mission Creek shows, and it was the lone show of the festival that brought together me, my MoSS? boys Todd and Sam, and our honorary MoSS? brother Travis.

April 3
Mission Creek show #2: Shovels & Rope. This was year 2 of what might be an annual tradition, if Mission Creek keeps up its booking pattern: me and my bestie Sondra taking in the Friday night Englert show. (She went to Sleigh Bells while 8.5 months pregnant…that’s concert cred I don’t think I could attain even if I had the proper lady parts.) The first year it was The Head and the Heart, which we both looked forward to with crazy anticipation. This time around, though, neither of us were all that familiar with S&R (read: I glanced at their bio, listened to a couple of tracks online, figured Sondra would like them, bought the tickets). I think I can speak for the both of us in saying that S&R cleared the high bar set by Head/Heart. Those two are pure joy on stage (and, as we plunged into their discography, on record, too) and clearly enjoy making music together (and human beings, as it was announced that Cary Ann Hearst was pregnant). It might take a reunited Civil Wars to raise the stakes in 2016…

April 5
Mission Creek show #3: Father John Misty with opener King Tuff. OK, so the opening act set off the fire alarm when the singer’s leather jacket met up with the stage pyrotechnics, and yet King Tuff was easily the SECOND-hottest act to grace the Englert stage that night. Josh Tillman has it goin’ on, folks. He pretty much owned the room with his soulful vocals, slinky moves, and damn great songs. Even the cheesy neon backdrop worked. I was comfortably seated about halfway back, which was probably good because his magnetic charm had quite the effect on fans closer to the stage. My ancedotal evidence: one of my former work colleagues ended up burying her face into his shirt. It’s funny, partly because this is totally a Brittany B move, but also because it conjured up imagery of Veronica wiping Jesus’ face, and is it any surprise that a Father John Misty moment would relate to religion somehow? Anyway, a great way to close 2015 Mission Creek; I think I would rate this show as my favorite MC show so far, ever.

May 29
Jamie xx releases In Colour, which, after much internal debate, emerged as my favorite album of 2015. For most of the final third of the year, I had Beach House’s Depression Cherry in the top spot, but in the end, I found myself more satisfied with the front-to-back listening experience In Colour provides. “Girl” and “Seesaw” are my two clear favorites, but there’s not a song on here that I feel like skipping when I put on the album. (Sure, I wouldn’t include the instrumental interludes if I were curating a mixtape, but within the context of the album, they too are fantastic.) I am aware that Jamie xx has been involved in my album of the year three times in the past seven (2009 and 2012 with the xx), and what can I say? They are absolutely genius, and Jamie perhaps stepped up as the mastermind behind the magic with this solo-branded effort.

 

tame impala in concert

Tame Impala was fuckin groovy live. Another killer show at the Pageant in STL. (Photo by Christopher Clair)

June 1
Tame Impala turns the Pageant in St. Louis into the coolest kaleidoscope ever. We (Travis and I) had nice seats in the center balcony, and we enjoyed some good pizza and beer across the street before the show. Every time I go to the Pageant, I leave wishing such a venue existed in Iowa City (its capacity of 2300 surpasses the Englert’s 725, and the Pageant sound is immaculate in my experiences) and, more importantly, that such a venue could receive proper support in Iowa City. Would 2,000 people show up for Tame Impala in Iowa City, especially if the show weren’t scheduled during the week of Mission Creek?

But this isn’t about the fact that I often have to drive more than 100 miles, sometimes 250, to see the bands I like. It’s about Tame Impala previewing tunes from its forthcoming third album and playing just about every one of my favorite songs from the first two LPs. Travis and I did have to snicker a bit about how seemingly all of Kevin’s lyrics reflect his inability to talk to/score with chicks, which we find highly suspect.

June 23
Kacey Musgraves releases Pageant Material, which lands at #5 on my best of 2015 list, and I nearly flipped a coin between this and Courtney Barnett for #4. The title track lyrics are arguably the most entertaining I heard all year. “Somebody to Love” is a very moving tune that sheds any cowgirl texture and replaces the vibe with a cool drone. And she puts on a hell of a show, which I got to experience later in 2015.

 

June 28
TRIPLE SIX FIVE FORKED TONGUE GET GET GET GET GOT GOT GOT GOT BORN WITH A SKI MASK ON MY FACE I’VE SEEN FOOTAGE I STAY NOIDED HUSTLE BONES COMING OUT MY MOUTH GRAB YOUR FUCKIN CHAIN AND DRAG YOU THROUGH THE PARKING LANE WHILE EVERYONE’S LIKE NOOOOOOOOOOOOOO VISITED TESLA’S GRAVE FOR THE NINTH TIME TODAY SPREAD EAGLE CROSS THE BLAWWWWWWCK UP MY SLEEVES UP MY SLEEVES I BREAK MIRRORS WITH MY FACE IN THE UNITED STATES HALF COCKED FULL TILT RABID DOG FILTH ARRRRGH KNOW WHAT I’M SAYING (FUCK IT) ANKLES TIED TO CINDER BLOCKS AYE AYE I’M BOUNCING IT GOES IT GOES IT GOES IT GOES GUILLOTIIIIIIIIIIIIIIIIINE YUH! YOU’RE FIT TO LEARN ABOUT THE MEANING OF A BEATDOWN MADNESS CHAOS IN THE BRAIN I WANT IT I NEED IT NEED IT TO MAKE ME FEEL HEATED

Yep. Death Grips showed up for a concert and atoned for any previous misses we’d experienced over the past three years. I’m usually too old to get in the mix these days, but yours truly turned back the years (and wore flip-flops like a dumbass…thankfully all my toes survived). Travis also attempted to bring beers into the chaos and I ended up wearing about 89% of my beverage…but it’s all good. Need to do it again soon.

July 16
Wilco puts out a free album that I download and never listen to, not once.

August 28
Beach House releases Depression Cherry, which nearly crossed the finish line in the lead but ended up settling for my #2 album of 2015. All the same, this album and the band’s impeccable back catalog did entice me into an all-nighter trip to STL to see the band live…more on that later.

 

big guitarist

I thought Prop Joe was back from the grave when I attended the Iowa Soul Festival. (Photo by Christopher Clair)

That night, I attend the Iowa Soul Festival in Iowa City to see Sharon Jones and the Dap-Kings. It’s raining pretty hard. I saw one act with a very large and very talented guitarist, and I heard the Dap-Kings do about five minutes before lightning decided to take over the Iowa skies. No Sharon Jones show for me. Drove home in torrential downpour. Can’t win ’em all.

 

kacey musgraves in concert

Usually I can’t take my real camera to concerts. River Roots Live…not a problem. I love this shot, almost as much as I like Kacey’s music. (Photo by Christopher Clair)

August 29
Family concert night! My better half and our son pile into our friends’ truck and hit River Roots Live over in the Quad Cities. It was $10 to get in (and I think the kids were free?), and Kacey Musgraves was headlining. BBQ stands lined the walkway, and our friends’ two children joined our boy in bouncy house tomfoolery before we all snagged good seats to see Kacey. She was on point, running through the lion’s share of the songs on her two albums. The beer prices actually weren’t bad compared with Riot Fest or Lolla, and the QC has a decent local craft beer selection that was available here. I probably exploited the relatively cheap beer prices to the point of being a bit off-kilter. The evidence of such inebriation existed in a video file (since erased, too bad) where you could clearly hear me “singing” along. Oh god, it was bad. And if you’ve ever seen me participate in karaoke night at the Red Lion in Cedar Rapids, you would know I have no shame.

But I did feel like my photo game was still on point. A photo similar to the one you see above currently sits framed in my basement, awaiting my eventual arrangement of a pop culture-themed room. Seeing as I’m putting out a 2015-in-review piece nearly a month into 2016, you can imagine how soon that room will come together.

 

four dorks at riot fest

My Riot Fest crew. We’re doing it again in 2016. Counting the days. (Photo by Ian Hall)

September 11-13
RIOT FEST. I loved the 2014 version, primarily because I was so excited to see one of the big bands each of the three nights (Slayer, Descendents, The Cure). But this year I found myself looking at three days packed with intriguing artists, rather than playing the waiting game until the headliners finally took the stage. The new location was a vast improvement on the 2014 park. Plus, our crew ended up renting a place that had a rooftop patio, a grill, and a hot tub. Much better than your typical hotel room, especially with six humans sharing the quarters.

DAY ONE: We start with Death, the stars of recent documentary A Band Called Death. These guys still got it, as do the next group we caught, Fishbone. I had seen them twenty-some years before, but I think the intensity level is the same. Angelo Moore was in fine form. Caught Living Colour from a distance, made sure to catch the obligatory “Cult of Personality” before moving along. I split off from the group at some point to catch Anthrax rather than seeing Faith No More. Mistake? If you ask Ian and Travis, yeah, as FNM topped their festival highlights. Instead, I got “Caught in a Mosh”…

IMG_0548While the rest of the crew caught Motorhead (R.I.P. Lemmy), I went over to see Ice Cube, who was reuniting with Ren and Yella to do some classic Straight Outta Compton tunes as part of his set. It was OK, I guess. They cut the songs short to eliminate Eazy’s verses rather than have someone else stand in. I think my favorite part of the set was getting this watercolor-looking photo of a dude’s mohawk standing tall among the smoke wafting through the crowd.

We tried in vain to get a cab. At one point we were outside a prison, so we asked one of the guards entering the facility if she knew if cabs trafficked this area. Her response: “You don’t want to get a cab around here.” Um, Uber? Can you come get us? (And within a minute, our Uber arrived. Nice.) The hot tub felt awesome.

DAY TWO: Was pleased to discover FIDLAR at this fest. They were a lot of fun, especially the part where one of the band members crowd-surfed and then upon returning to the stage was pretty much tackled by security, much to the puzzlement/anger of his bandmates. To be fair he did look like your average Riot Fest whippersnapper.

Travis and I checked out Swervedriver, although it was a tad depressing when we got there, like two minutes before the band was scheduled to go on, and yet we were able to get within a row of the front rail. I did think they were an odd booking compared with the rest of the bill, and it was an early set, but come on. Thankfully the place filled up to a respectable level once they started playing. I was happy with the music, anyway.

the damned

Captain Sensible (left) looking good as one would expect. (Photo by Christopher Clair)

Ran over to the other side of the park to catch Captain Sensible and the Damned. I kinda get Swervedriver being forced to play an early slot, but I really thought the Damned at Riot Fest would land a later, more high-profile spot. But oh well, I found myself a good spot on Sensible’s side of the stage and pogo’d around for an hour. Neat neat neat!

Then it was back to the other side again to meet up with the crew at Thurston Moore Band. It was cool to see Deb Googe play live again (not nearly as magical as the My Bloody Valentine show, but still…) as well as Thurston’s apparent hetero life partner Steve Shelley. Thurston got himself off for 45 minutes to mixed reviews (in other words, Rog hated it, Ian loved it, Trav liked/loved it, I was good with it).

fans young and old at Echo and the Bunnymen

Fans young and old dig Echo and the Bunnymen. (Photo by Christopher Clair)

After getting a bite to eat, we all watched Echo and the Bunnymen, which was fun for the whole family. Then Roger and I camped out on the Rancid side of the park, and got up in the mix when it was time for …And Out Come the Wolves, played in its entirety. It was a lot of fun to shout along with “Olympia, WA” and “Timebomb” and “Alleyways and Avenues” and “Ruby Soho” and “Roots Radical” and all the rest. And wouldn’t you know it, I once again ended up running into the Brothers Warden at a concert/festival. They also enjoyed the glory that is a Rancid pit.

I watched Iggy Pop and his hot dog skin from a distance to close out the night.

DAY THREE: After all the joking we’d done about bees at Riot Fest this year and the year previous, it finally came back to bite me…well, sting me, I guess. I caught a jab in the back during the De La Soul set. Pos, Dove, and Mace had us moving like crazy, which stirred up the bees, and one flew up the back of my shirt and couldn’t get out, so STING. I put on a brave face and didn’t complain about it (much).

Roger and I endured a horrible set by Kongos in order to sprint to the gate when the Kongos crowd dispersed. We had different motives, to a degree: I desperately wanted to be up close and personal for Rodrigo y Gabriela, and Rog was dead-set on front-and-center action for THE D (which I was excited about as well). We got up to the second row of people, and then a guy asked who was here to see Rod y Gab, and when I shouted “ME” he traded me his spot on the rail. And after some Kongos fans got picks and setlists or whatever, they vacated the rail and Rog was in. We were dead-fucking-center, and both Rod y Gab and THE D delivered. So worth sitting through that Kongos crap. We did pass the time high-fiving the crowd surfers who had been pulled over the rail one stage over during the Andrew WK set. I found a new way to amuse myself: every time I extended my hand for the five, I also yelled out, “YOU DID IT!” About half the time the person on the other end of the handslap was like “FUCK YEAH I DID DO IT!”; about 30 percent of the time, the person was all like “Um, thanks, wait, what?”; the other 20 percent were pretty much all “FUCK YOU, DICK.” It was fun.

rodrigo y gabriela

Two thrashers on acoustic guitars easily won over the Riot Fest crowd. (Photo by Christopher Clair)

If you’re not familiar with this duo, but you watched Breaking Bad, then you sorta know their music. Go listen to “Diablo Rojo” or “Vikingman” or their cover of Metallica’s “Orion”…or better yet, just go to YouTube and search for some of their live work. They like to cover thrash metal in their flamenco-inspired way, and they did just that at Riot Fest, with a medley of Metallica and Megadeth tunes. At one point, as Rodrigo took up a stance to give his strings a good workout, I yelled from the front row, “YEAH RODRRRRRRRRIGO!” and he looked down at me, gave me a slight nod, turned back to his fretboard, and went to town. I AM A FUCKING NERD BUT SO WHAT RODRIGO GAVE ME THE NOD!!!!!

tenacious d

KG and Jack in all their glory. (Photo by Christopher Clair)

So yeah, we had prime spots for Tenacious D, right next to a guy who pulled a Chris move (me in the third person, yep) and had been on the rail for eight hours waiting for The D. (I did that for the Cure in 2014.) It was a lot of fun, kicking off with “Tribute” and getting most every song you’d expect to hear, I suppose, although I really could have used a rendition of “Lee” somewhere in the set. And I had another interactive moment a la Rodrigo, this time with Jables. Song gets over, we’re all clapping, Jack looks down at the crowd, locks eyes with me. Now with Rodrigo, it all went smoothly, but I initiated that one. This time, I was put on the spot. And like a deer in headlights, I got run over.

I gave him a dorky smile and a big ol’ thumbs-up.

And he furrowed his brow, shrugged, made a face that you can only interpret as “um, okaaaayyyy,” and our moment ended. #isuck

tenacious d guitar pick

The pick of destiny, right?

But after The D played their final note and left the stage, one of the security staff, with whom we made conversation throughout the afternoon/evening between sets, scooped up a guitar pick KG had attempted to throw the crowd. The fans were losing their shit trying to get it, but he told the adoring masses, “Nope, I gotta hook up my guy right here,” and handed me the pick. He must have recognized me from Lolla 2013 and Riot 2014; I honestly did recognize him. The guy who had waited eight hours on the rail was choking back tears of agony when he saw the pick enter my grasp; it must have KILLED him to see me then give it to Rog, the true D disciple.

Then the Prodigy played to close out the night and we all went back to the pad and the next day we returned to our miserable lives. Although my co-workers couldn’t help but notice the post-Riot Fest mood enhancement, at least for a few days. I could tell they liked my stories a lot; I should be sure to nag them to read Music or Space Shuttle?!

September 25
Chvrches releases Every Open Eye, a solid follow-up to the beloved The Bones of What You Believe. Didn’t instantly grab me the way the debut did, but it was a “grower” that settled in at #8 on my best of 2015 list. I would go on to see them twice in the span of 15 days…with mixed results.

But the bigger news from this day…

ride performing live

Another “I’ll never see this band” band crossed off the list. (Photo by Christopher Clair)

RIDE. Todd and I trekked over to Chicago to see the shoegazers do their thing at the Riviera. To actually hear songs from Nowhere was a dream come true. “Seagull” might be the best live song I’ve ever experienced. So intense. Mixed in some great tracks from Going Blank Again and Chelsea Girl, along with the one really cool song from Tarantula. Blissfully shoegazed, Todd and I retreated to the ‘burbs and found a bar with like a zillion beers from which to choose, along with the 10+% Not Your Father’s Root Beer (aka Headache in a Goblet). Kinda wish I’d stayed in Chicago another night, as Alcest played on the 26th, but alas, it was not to be. But I did have another concert to attend this weekend…

 

beach house in concert

Beach House. The visuals are as dreamy as the music. (Photo by Christopher Clair)

September 27
I shared a FB photo of Beach House that had been posted by the Pageant, one of those deals where “share this and you’ll be entered into a drawing for 2 free tix!!!!1” which, of course, I didn’t win. But Sam saw my share and was like, “Hey, I know the show’s on a Sunday night and it’s all the way down in STL and you have to work at 8 am on Monday morning but if you really want to go I’d probably be down with that.”

Red Bull was purchased. I drove to Sam’s place. Sam drove us to STL. We hit the pizza/beer place across the street. Jessica Pratt provided some decent opener tunes. And then Beach House rewarded our all-nighter trip with that special band of intense chill that I love so much. Kinda cool that they opened with a couple of tunes from their first album, including “Master of None,” which the Weeknd used masterfully on his first mixtape. And of course we got “Sparks” and “Levitation” and “Space Song” from Depression Cherry and “Wild” and “Wishes” from Bloom and it was all pretty much beautiful. Then Sam drove us home, with me catching ZZZZZs from probably about Canton until Iowa City. Then I drove home, got another three hours of sleep, and went to work. (And probably got home from work that evening and went straight to bed.)

October 2
Deafheaven releases New Bermuda. When they released Sunbather, I thought it was pretty cool from a musical standpoint but wasn’t big on the vocals. But then I saw them at Pitchfork in 2014, and was converted. I looked forward to the new album, and was not disappointed. I put it at #9 on my best of 2015 list.

 

October 9
Usually the University of Iowa Homecoming concert elicits yawns. Not this year. Chvrches played a free show on the Pentacrest. Thankfully the Soul Festival weather didn’t ruin this Pentacrest show. Will and I had tickets to see the band two weeks later in Kansas City, but we decided to hit this show as well, seeing as it was free and all. (Glad we did, as you’ll read in the October 23 entry.) The new songs sounded great, and they played a good deal of the first album, saving “The Mother We Share” for the end. Will was fading fast toward the end of the show, but that song perked him up. I hope to see them at an indoor venue not named the Uptown Theatre in Kansas City.

bully in concert

Bully pretty much owned the Mill. (Photo by Todd Larsen)

October 10
Bully at the Mill. I know it was Homecoming weekend at the UI and there were a lot of stupid things happening in town that night, but there should have been WAAAAAAY more people at the Bully concert. Thankfully me, Todd, and Jess weren’t among the poor saps who missed out on a great rock show. I must admit I don’t listen to the Bully album all that often but man did those songs work in a live setting.

One of the opening bands was called Heat. Not The Heat. Not El Heat, like what the Miami Heat put on their jerseys to celebrate Latino culture. Just…Heat. Like the De Niro/Pacino(/Kilmer?) movie. And that’s all I have to say about that.

October 16
Neon Indian releases VEGA INTL. Night School. Worth the four-year wait? Well, it was really good. “The Glitzy Hive” should have been the biggest song in the world, and tunes such as “Smut!” and “Slumlord” were top-notch. I’ve got this at #6 on the best of 2015 list.

 

chvrches in kansas city

Chvrches in Kansas City’s Uptown Theatre: It looks way better than it sounded. (Photo by Christopher Clair)

October 23
Will and I go see Chvrches for the second time in two weeks. It might seem funny that a band like Chvrches could possibly be too loud, but it was unbearable. And of course I forgot to bring earplugs for Will, so imagine the agony he was enduring if I thought it was too loud. We stuck it out for maybe five or six songs before we left. Even out in the parking lot across the street, we were physically assaulted by the sound. You could feel the vibrations. This theatre was maybe a little bigger than the Englert; no need to have the shit that loud. If nothing else, Will did get a sweet poster from the merch table. I told him to consider it a souvenir from the Iowa City show, and that we’d never speak of the Uptown Theatre ever again. On the plus side, the family enjoyed the rest of the weekend in KC, hitting the Plaza, eating Jack Stack BBQ, and taking in Science City at Union Station.

small black in concert

Small Black returns to Iowa City as headliners. Deserved headliners, I should say. (Photo by Christopher Clair)

November 3
Small Black returns to Iowa City, playing a show at the Mill. Last time they were in town, they opened for Washed Out; this time, they topped the bill. They did quite well as the headliner. The most recent album, Best Blues, is pretty great, right up there with Limits of Desire, in my book. We even had a chance to chat briefly with Josh Kolenik. Cool guy. Hope he experiences bigger and better things in the future.

 

the bright light social hour in concert

The Bright Light Social Hour provided yet another reason to hang out at the Mill during the autumn of 2015. (Photo by Christopher Clair)

November 15
The Bright Light Social Hour met arguably their biggest fan (Ian, from my Riot Fest crew) in Iowa City on this night. I’m sure they made a few more diehard fans with their scorching performance.

 

st louis symphony

St. Louis Symphony prepares to perform works by John Williams. It was really cool.

December 12
Six days before Episode VII: The Force Awakens opened, I had the pleasure of watching/hearing the St. Louis Symphony perform selected works by John Williams. So we got to hear some tunes from Jurassic Park, Home Alone, the Harry Potter films, Catch Me If You Can, The Cowboys, Superman, and, of course, the Star Wars saga. Probably the coolest moment for me, aside from the main Star Wars theme, was a song from Episode I: The Phantom Menace, believe it or not. It was from the Darth Maul/Qui-Gon Jinn/Obi-Wan Kenobi lightsaber duel scene; the symphony was joined by a choir that provided the vocal portion of the score. It was incredible, that song, the whole concert. The conductor was an absolute showman; his between-song banter was outstanding. An interesting way to close out my 2015 live music calendar.

And The Force Awakens lived up to, nay, surpassed my expectations. Can’t wait to see Episode VIII, but that’s something like 18 months away! Guess I’ll have to go see some more concerts in the meantime. Already got tickets for Courtney Barnett, The Cure, and Riot Fest 2016…

To recap, my top 10 albums of 2015:

Jamie xx, In Colour

Beach House, Depression Cherry

Father John Misty, I Love You, Honeybear

Courtney Barnett, Sometimes I Sit and Think…

Kacey Musgraves, Pageant Material

Neon Indian, VEGA INTL. Night School

Sleater-Kinney, No Cities to Love

Chvrches, Every Open Eye

Deafheaven, New Bermuda

Death Grips, Jenny Death

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MoSS? Monthly Mixtape: March 2015

2015 TC

Side A: Todd’s Picks

Side B: Chris’ Picks

 

Lolla 2013: Can Vampire Weekend and Grizzly Bear switch stages? Please?!

lollapalooza logoWhen I made that impulse buy, the Sunday ticket for Lollapalooza 2013, I was swayed by a couple of factors. One, my friend Travis Who Isn’t the Beast was going; the morning the one-day tickets went on sale, we were both waking in Chicago the day after the Sigur Ros show. He egged me on, and I was still riding the live-music high provided by the Icelandic trio. So without checking with the missus, I bought a ticket via smartphone. I’m a pushover. (As a result, I’m also probably taking the family to Chicago for the weekend, as it happens.)

Second, the killer roster, headlined by the Cure, my all-time favorites. I haven’t seen them in 13 years…it’s time. Vampire Weekend, Beach House, and Tegan & Sara also jumped off the poster. Looking at the artists and paying no mind to the logistics of stage placement and prominence, I envisioned a dream day as follows:

  • Palma Violets
  • Wild Belle
  • MS MR
  • Lianne La Havas
  • Wild Nothing
  • DIIV
  • Tegan & Sara
  • Beach House
  • Vampire Weekend
  • The Cure

Now that the schedule is out and logistics come into play, here’s what I’m looking at:

  • Guards
  • Wild Belle
  • Wild Nothing
  • Lianne La Havas
  • Tegan & Sara
  • Alt-J
  • Grizzly Bear
  • Beach House
  • The Cure

VW is the huge omission, but there’s not a whole lot I can do about it unless I want to sacrifice Cure position. VW will play before Phoenix on the other side of the park; Grizzly Bear precedes the Cure. That’s a bit of a nut-punch (I don’t get the Grizzly Bear love), but I am seeing VW in October, so I can live with this.

(However, I am considering starting a Kickstarter campaign to see if I can bribe Grizzly Bear to switch stages with Vampire Weekend. I might even match every dollar pledged to the cause. Check MoSS? regularly for updates.)

DIIV also falls off the list, which is a bummer, but they are playing much later in the day than I would have anticipated, so I don’t want to move too much at this point. I might be able to sneak off to Palma Violets between Guards (whom I’ve seen up close and personal, opening for Cults back in 2011) and Wild Belle.

All in all, I’m happy. I must admit, my Vampire Weekend tickets for the Kansas City show make this a much easier pill to swallow. But I’ve been getting a kick out of all the people whining on social media about the various conflicts. Like how in the world could you put Nine Inch Nails against the Killers? Or why are Mumford and Sons going up against The Postal Service?

It should come as no surprise that the day’s two headliners would be pitted on opposite ends of the park. And really, is there much debate as to which band you should see, assuming you can maneuver around the park as you wish?

If you need help making a choice, you’re in luck: I’m here to help. I’ll address some of the conflicts I’ve seen discussed on Facebook…

FRIDAY

First off, why is Jessie Ware playing so early? 1:00 is the best she could pull?

Band of Horses vs. Crystal Castles (4:15): A bunch of wusses who make decent tunes against the manic energy of Ethan Kath and Alice Glass. Even though I fear their sound doesn’t translate well live, I’m still going with Crystal Castles.

New Order vs. Queens of the Stone Age (6:15): “Blue Monday” and “Bizarre Love Triangle” and “Age of Consent” and on and on and on vs. the guy whose best work (to my ear) is the stuff he did with John Paul Jones. New Order

Nine Inch Nails vs. the Killers (vs. Lana Del Rey?) (headliners): The worst tracks on The Downward Spiral would easily make the cut against the Killers. And LOLa Del Rey…come on. Nine Inch Nails

SATURDAY (a.k.a. “Bro Day”)

Heartless Bastards (6:00)/Death Grips (7:15) vs. The National (6:00) vs. Kendrick Lamar (6:45) vs. the Lumineers (7:15): Duh. The National

Mumford and Sons vs. the Postal Service vs. Azealia Banks vs. Steve Aoki (headliners): Duh. Get some sleep at the hotel

SUNDAY

Palma Violets (1:00) vs. the Orwells (1:00) vs. Wild Belle (1:30): I like what I’ve heard of Palma Violets, but not quite as much as Wild Belle. Orwells are third, but not meant as an insult. Wild Belle

Lianne La Havas (3:00) vs. MS MR (3:30) vs. Baroness (3:30): Baroness might provide some much-needed testosterone, and MS MR is cool as shit. I’m going with La Havas just to stay in one area, but if everything were equal…MS MR

Grizzly Bear (6:00) vs. Vampire Weekend (6:30): Overrated vs. Hypeworthy. Modern Vampires of the City came out today; I’ve listened to it at least six times all the way through since waking this morning. The tracks that came out early (“Unbelievers,” “Diane Young,” and “Step”) are fantastic (“Step” in particular), and songs on the second half of the album (“Worship You,” “Finger Back,” “Hudson,” and even the quirky “Ya Hey”) get better with each listen. Seriously need to consider that Kickstarter/stage swap idea. Vampire Weekend

The Cure vs. Phoenix (headliners): Of course I’m going to say the Cure. How Phoenix headlines over Vampire Weekend baffles me, so I’m not even going to consider recommending the former against Robert Smith & Co. The Cure is sounding fantastic live with former Bowie guitar man Reeves Gabrels in the fold, and Simon Gallup is still the coolest guy in music.

If you’re going to Lolla, or even if you’re not, I’d like to hear the tough choices you’d make.

Pazz and Jop is a stupid name, says Music or Space Shuttle? co-founder

pazz and jop logo

I look at the Village Voice Pazz and Jop list every year, just because I am a list junkie when it comes to music. Even though it comes from something as uber-hip as VV, the Pazz and Jop list gets the opinions of something like 500 voters. 2011’s top album, Tune-Yards’ W H O K I L L, only showed up on 19 percent of ballots; Kanye’s 2010 disc set the high-water-mark by appearing on 37 percent of ballots.

The 2012 album approached Kanye heights, and it’s a real shocker…some guy who goes by Frank Ocean topped the list with his Channel Orange. Who saw that coming?!?

channel orange cover(Before I go on about Pazz and Jop, can I ask once again what’s so great about Channel Orangeespecially when you consider just how amazing Ocean’s 2011 “mixtape” Nostalgia, Ultra is? That album is far more interesting and alive; I find Channel Orange to be boring by comparison. Where the fuck were all you people last year? I was at the front of the line, putting Nostalgia #2 of 2011, and Todd wasn’t far behind at #6. So I really wanted to like Channel Orange. Look at my top 3 discs of 2012: sophomore efforts by the xx, Sleigh Bells, and Best Coast. I don’t automatically jump ship after the debut…but I just don’t hear the greatness of Channel Orange.

Anyway…)

Given the huge number of voters and the obvious diversity in tastes, I thought it would be fun to line up our top 20 albums of 2012 against their rankings in Pazz and Jop.

Some more background…

  • Somewhere between 1,500 and 1,600 albums received at least one mention. (Channel Orange had 170 mentions.)
  • Kendrick Lamar was #2 (126 mentions) and Fiona Apple was #3 (101 mentions). No other “Century Club” members.
  • The highest ranked album with single-digit mentions: #72, Dean Blunt & Inga Copeland, Black Is Beautiful (7 mentions)
  • Van Halen’s new album came in #146 with 4 mentions

As you’ll see in the following side-by-side comparisons, a few of our favorite 2012 albums could have used our ballot. That’s right: some of our favorite albums didn’t get a single Pazz and Jop mention. #dafuq

Chris vs. Pazz and Jop

  1. The xx, Coexist (Pazz and Jop: 49)
  2. Sleigh Bells, Reign of Terror (Pazz and Jop: 60)
  3. Best Coast, The Only Place (Pazz and Jop: 98)
  4. A Place to Bury Strangers, Worship (Pazz and Jop: n/a)
  5. The Avett Brothers, The Carpenter (Pazz and Jop: t79)
  6. Sigur Ros, Valtari (Pazz and Jop: t-336)
  7. Crystal Castles, (III) (Pazz and Jop: t-116)
  8. Beach House, Bloom (Pazz and Jop: 10)
  9. Tame Impala, Lonerism (Pazz and Jop: 6)
  10. Diiv, Oshin (Pazz and Jop: 108)
  11. Burial, Kindred (Pazz and Jop: 59)
  12. Frankie Rose, Interstellar (Pazz and Jop: 128)
  13. El Perro Del Mar, Pale Fire (Pazz and Jop: t-1361)
  14. Wild Nothing, Nocturne (Pazz and Jop: n/a)
  15. Japandroids, Celebration Rock (Pazz and Jop: 4)
  16. Colleen Green, Milo Goes to Compton (Pazz and Jop: t-710)
  17. The Men, Open Your Heart (Pazz and Jop: 50)
  18. School of Seven Bells, Ghostory (Pazz and Jop: t-710)
  19. Lone, Galaxy Garden (Pazz and Jop: 237)
  20. Black Moth Super Rainbow, Cobra Juicy (Pazz and Jop: n/a)

I know Todd was surprised by my placement of A Place to Bury Strangers at #4; apparently the nation shares his assessment. Can’t believe my #14 (ranked even higher by Todd) didn’t rank; Black Moth Super Rainbow not landing a mention at all less surprising but still odd to me.

Todd vs. Pazz and Jop

  1. Eternal Summers, Correct Behavior (Pazz and Jop: t-185)
  2. Wild Nothing, Nocturne (Pazz and Jop: n/a)
  3. Japandroids, Celebration Rock (Pazz and Jop: 4)
  4. Seapony, Falling (Pazz and Jop: t-710)
  5. Frankie Rose, Interstellar (Pazz and Jop: 128)
  6. Best Coast, The Only Place (Pazz and Jop: 98)
  7. Paws, Cokefloat! (Pazz and Jop: t-1253)
  8. The Sea and Cake, Runner (Pazz and Jop: n/a)
  9. Tennis, Young and Old (Pazz and Jop: t-308)
  10. Diiv, Oshin (Pazz and Jop: 108)
  11. Frank Ocean, Channel Orange (Pazz and Jop: 1)
  12. Beach House, Bloom (Pazz and Jop: 10)
  13. Michael Kiwanuka, Home Again (Pazz and Jop: t-170)
  14. Hospitality, Hospitality (Pazz and Jop: 134)
  15. Echo Lake, Wild Peace (Pazz and Jop: n/a)
  16. Nude Beach, II (Pazz and Jop: t-356)
  17. La Sera, Sees the Light (Pazz and Jop: n/a)
  18. The Men, Open Your Heart (Pazz and Jop: 50)
  19. Sleigh Bells, Reign of Terror (Pazz and Jop: 60)
  20. Heems, Nehru Jackets/Wild Water Kingdom (Pazz and Jop: 137)

How the hell Wild Nothing got ZERO mentions is beyond me. Todd might lose his shit when he sees this. Nude Beach, coming in tied for #356 on Pazz and Jop, shares that distinction with Lionel Richie. La Sera should have a mention, right?

As with any list, take it with a grain of salt. Pazz and Jop’s album list has Taylor Swift at #17 and Carly Rae Jepsen at #40.

And Wild Nothing got no mentions.

#dafuq