MoSS? Presents: The Best 13 Albums of 2013…So Far

2013

At the beginning of June, many music sites started posting their “Best Albums of the Year So Far” lists. They considered June 1st the perfect time do so. It being the halfway point of the year and all. Well, we here at Music or Space Shuttle? actually own and know how to operate a calendar. Bear with me here, I’m going to do some math. You see, there are actually twelve months in a year. The halfway point would be after six months. That would make the the end of June or early July the perfect time for a “Best Albums of the Year So Far” list. Enough snark. Let’s get to the list!

deap-vally-get-deap-epDeap Vally, Get Deap! EPGet Deap! is probably my biggest guilty pleasure record this year. The rock duo’s EP is four songs of dirtyDeap+Vally+DeapVally guitars,  screaming vocals and questionable feminine hygiene. Don’t get me wrong, I’m crushing hard on the both of them. They’re like a cross between PJ Harvey, The White Stripes and Led Zeppelin. Hoping they come to the area for a live show soon. I may just run away with them. –T

Key Track(s) – “Lies”, “Gonna Make My Own Money”


dtDucktails, The Flower Lane – This one surprised me. I was never a big fan of Ducktails in the past. The last LP was fine but never really kept my interest. Pitchfork streamed this record for free last prior to the release and I couldn’t stop playing it. The mastermind behind Ducktails is the guitarist for Real Estate so there are some similarities between the two but this record stands up well on its own. Chris’ former pretend girlfriend Madeline Follin from Cults even makes a cameo on my favorite song from the record “Sedan Magic.” They were in Iowa City in April and put on a great show. Chris wrote about it here. -T

Key Track(s) – “Sedan Magic”


m b v album cover

My Bloody Valentine, m b v – What was almost as unbelievable as the release of a new My Bloody Valentine album is the fact that somehow it was not an absolute letdown. In fact, it was brilliant. The first three songs sound like a natural continuation of LovelessThe middle third reminds me of stuff the band released on the various EPs from 1988 to 1991. And the final third showed where the band could go if it damn well wanted: jungle beats, devilish swirls of guitar, soaring synths. A longer examination of an instant classic can be found in a post from February. –C

Key track(s) – “in another way,” “wonder 2”


2012PalmaViolets180Press171212

Palma Violets, 180 – When I hear hype surrounding bands like Arctic Monkeys or the Vaccines or the like, I give their records a spin and often come away disappointed. This isn’t at all what I thought I would hear! Yet when I listened to a band that lacked the “next big thing” tag, one called Palma Violets, lo and behold, there it was! 180 is the album I’d always thought I’d hear from the buzz bands. “No-frills” rock, but punctuated with a charismatic singer and nice use of keyboard among the garage rock sounds. I’m starting to rethink my declaration of seeing Wild Belle instead of these guys at Lolla. –C

Key track: “Best of Friends”


rhye

Rhye, Woman – Reminiscent of The Weeknd in a couple of ways: one, is the singer a guy or a girl (answer: guy); two, regardless, this is really freakin’ great. Slinky, sexy, smooth as silk. “The Fall” is a vocal treasure, while “Last Dance” parts the smoky haze of the record for a few minutes to allow for moments of upbeat groove. While the vocals are natural to pair with slow and low tempo, it’s the juxtaposition of the emotion against the more up-tempo instrumentation that keep this collection from coming off as one-note. The comparisons to Sade and the xx are fair both in terms of similar sound and similar quality. –C

Key track: “The Fall”


Savages-Silence-Yourself

Savages, Silence Yourself – The savage (ahem) rumble of the drums and bass is what does it for me when it comes to Savages’ music. Of course, that alone isn’t going to get the job done, and thankfully the vocals and guitar work provide sharp contrast. That’s not to say the drumming is some sort of sloppy, tribal, Meg White-kind of stuff (which I like as well, in that context); Fay Milton snaps off precise snare hits and provides a tight, fast backbone. Anyway, this is what you get when you get four people dedicated to art but aren’t afraid to also make tight, listenable songs in the process. –C

Key track(s): “Shut Up”


srSigur Ros, Kveikur – I love that one of the coolest, heaviest records of the year was created by three dudes from Iceland, including the pixie-like Jonsi. It’s not like the band had to reinvent itself to sound this way; songs from the early albums have been intense, bordering on metallic at times. Even on the relatively chill album ( ), they showed they could deconstruct into harsh madness (“Untitled 8,” anyone?). As one reviewer put it, perhaps Georg (bass) and Orri (drums) were sick of never getting any credit, and just went buck wild on all our asses. It worked. –C

Key track: “Brennisteinn”


umojacketv1Small Black, Limits of Desire – I had big hopes for this album after loving their first full length album New Chain and subsequent Moon Killer MixTape. After the first listen, I was less than impressed. Maybe it was their bizarre album cover. Maybe it was because the chillwave vibes of the first album were mostly gone and what was left was mainly a synth pop record. It took a few additional listens for me to remember, “I f’ing love synth pop records!” -T

Key Track(s) – “No Stranger”


tsTegan and Sara, Heartthrob – This one is a shoo-in for a #2 spot on my overall Best of 2013 list since their previous two records had that title in 2007 and 2009. This time the ladies changed up their style a bit and released this synth-pop gem. It took me a few listens to warm up to the new direction. At first, it seemed like an attempt to cash in with a Katy Perry-ish type record. Hidden behind those up-beat hooks they have some seriously dark and painful lyrics. In a way it is a perfect pop record but with some depth behind it. -T

Key Track(s) – “How Come You Don’t Want Me”, “Closer”


Thee-Oh-Sees-Floating-Coffin

Thee Oh Sees, Floating Coffin – Let’s say Tame Impala had a love-child band with one of those garage rock groups you might find on an old Lenny Kaye Nuggets compilation. Sounds as dreamy as chocolate and peanut butter coming together, no? Thee Oh Sees pretty much sounds like the spawn of the aforementioned scenario, doing its thing at an incredibly prolific rate, to boot. Floating Coffin seems like their fourth album in three years–probably because it is!–and each output continues to satisfy. Not only is there energy galore in the tunes, you won’t find a much better use of the vocal weapons “Whoooo!” and “Owwwwww!” anywhere. –C

Key track: “Toe Cutter – Thumb Buster”


torres

Torres, Torres – I know I’m supposed to use these single paragraphs to sing the praises of our favorite albums thus far in 2013, but with Torres, I’m having trouble pinpointing. Perhaps it’s the way her voice melts throughout the opening song, “Mother Earth, Father God.” Or the lyric “Honey, while you were ashing in your coffee, I was thinking about telling you what you’ve done to me” on “Honey.” Or how there is a sinister element to her songs. Or how the chorus just falls out of her mouth so wonderfully on “Jealousy and I.” Or that someone named Mackenzie Scott decided, “You know what? I’m going to go by the moniker ‘Torres’!” (shrug) Oh, look what I just did. I guess it’s all pretty great. –C

Key track: “Jealousy and I”


vw

Vampire Weekend, Modern Vampires of the City – This might be the year that Vampire Weekend finally drops its bridesmaid status on my end-of-year lists and moves up one slot to the top. (Finished second to Portishead in 2008; Crystal Castles in 2010.) The tracks that came out early (“Unbelievers,” “Diane Young,” and “Step”) are fantastic (“Step” in particular), and songs on the second half of the album (“Worship You,” “Finger Back,” “Hudson,” and even the quirky “Ya Hey”) get better with each listen. The esoteric lyrics are still here, but the most moving words come on “Step,” where Ezra declares “I feel it in my bones” and “I can’t do it alone.” –C

Key track(s): Pretty much all of them


waxahatchee-cerulean-saltWaxahatchee, Cerulean Salt – Waxahatchee is the solo project of songwriter Katie Crutchfield and is for the most part very simple. One vocal, one guitar and occasionally some drums. The songs ebb and flow from soft acoustic to droning distortion filled guitars and her vocals float effortlessly overtop all of them. I started listening to Cerulean Salt a few weeks after the new My Bloody Valentine record was released. Like anything else that was released post   m b v,  I assumed I would be over it quickly and back listening to the masters of shoegaze. I was wrong. I was stuck on this album almost as long as I was on m b v. It was tough picking a “key track” for this one because this is one of those rare records that I find all the songs to be equally as good. Take a listen to “Peace and Quiet” below and judge for yourself. -T

Key Track(s) – “Peace and Quiet”

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MoSS? Presents… Albums to Watch for in 2013

Albums 2013

Seems like every website is putting together a guide for upcoming album releases in 2013. Why should MoSS? be any different? We aren’t going to bore you with an endless list of shitty albums coming out this year. Instead, we are just going to share a few of our most anticipated albums.

Todd’s Most Anticipated Albums of 2013

January is a big month for me because four albums I’ve been not so patiently waiting for are being released.

Free Energy, Lovesign [Free People]. This one’s a real guilty pleasure for me. The songs can be sort of cheesy but they are catchy as hell and these guys don’t try to be anything but straight up rock and roll.

Bleeding Rainbow, Yeah Right [Kanine]. The band formerly known as Reading Rainbow.  I guess if you name your band after a beloved PBS children’s show, you can expect lawyers to come knocking at some point. Anyway, they are back with their 2nd LP. It was supposed to be released in October 2012 but was pushed back. I am hoping the delay wasn’t because the record sucks.

Local Natives, Hummingbird [Frenchkiss/Infectious]. Another group hoping to avoid a sophomore slump. I’ve heard two songs from it and both are pretty good. If the rest of the album is as good, then they should have a record of the year contender on their hands.

Tegan and Sara, Heartthrob [Warner]. I really loved the last two Tegan and Sara albums. The ladies released a single “Closer” from Heartthrob last fall and they revealed a much more dance/pop oriented sound. At first I hated it. Eventually, as my family (and its placement in my Top 10 Songs of 2012) can tell you , I wore that MP3 out.

There are a few albums I’m excited about being released this spring. The album I am most anxious for is…

Youth Lagoon, Wondrous Bughouse [Fat Possum]. I missed the boat way back in 2011. Youth Lagoon’s first LP, The Year of Hibernation, came across my desk at MoSS? HQ but I ignored it. Since then, I have listened to that record more often than several of my Top 10 of 2011 selections. Maybe this one will make the 2013 Top 10.

Other releases I’m hoping for…

Phoenix, TBA [Glassnote] 

Neon Indian, TBA [Mexican Summer]

I Break Horses, TBA [Bella Union]

Small Black, TBA [Jagjaguwar]

Release I am always hoping for but will probably never happen…

Pixies, TBA [4AD]

Chris’ Most Anticipated Albums of 2013

I don’t know why I am buying into Kevin Shields’ promises anymore, but supposedly we are getting a new My Bloody Valentine album sometime soon. Of course, Shields said it would be out before calendar year 2012 concluded. And he’s said numerous times before that something would soon follow up the 1991 masterpiece Loveless. Yep, the 1991 album. But there seems to be some concrete talk this time. Bassist Debbie Googe spoke about the album, even though she made it sound as though Kevin is channeling his inner Billy Corgan and handling a lot of the instrumentation himself. And one of these times it has to be the real thing, right? So I’ve got this to look forward to…possibly all year long (and beyond).

Also:

Toro y Moi, Anything in Return (January 22). I really liked Causers of This but was slightly disappointed by the 2011 release Underneath the Pine. I’m hoping for a return to greatness with Anything in Return.

Unknown Mortal Orchestra, II (February 5). I loved UMO’s first album in 2011; here’s hoping album No. 2 is even better. Led Zeppelin and Crystal Castles set the bar pretty high for albums titled II, though (as did Chicago, for that matter).

Iceage, You’re Nothing (February 19). Another band that released a wonderful, economic debut in 2011. Frankly, if Iceage simply releases another 12-song, 24-minute blast of dark punk, I’ll be satisfied.

Junip, TBA (April 23). Jose Gonzalez never fails to deliver.

The Weeknd, TBA (?????). If you believe his Twitter feed, Abel is dropping a new album in 2013. I’m still a huge fan of House of Balloons and found the other two parts of Trilogy to be interesting at worst and quite excellent at times, so I’m in on more Weeknd.

Also, without comment:

The Joy Formidable, Wolf’s Law (January 22)

Tegan and Sara, Heartthrob (January 29)

Sally Shapiro, Somewhere Else (February 26)

Rhye, Woman (March 5)

Marnie Stern, The Chronicles of Marnia (March 19)

MoSS? Best of 2012 Mixtape

MoSS Songs 2012

Side A: Todd’s Favorite Songs of 2012

1. Tanlines, “Brothers”

2. Japandroids, “The House That Heaven Built”

3. Grimes, “Oblivion”

4. Best Coast, “My Life”

5. Ariel Pink’s Haunted Graffiti, “Baby”

6. Field Mouse, “Glass”

7. Frank Ocean, “Pyramids”

8. Wild Nothing, “Shadow”

9. Memoryhouse, “The Kids Were Wrong”

10. Tegan and Sara, “Closer”

Side B : Chris’ Favorite Songs of 2012

Burial, “Kindred”

Crystal Castles, “Plague”

Earl Sweatshirt, “Chum”

First Aid Kit, “Emmylou”

Japandroids, “The House That Heaven Built”

Ke$ha, “Don’t Think Twice (It’s All Right)”

Rhye, “The Fall”

Sleigh Bells, “Comeback Kid”

Tennis, “Origins”

The xx, “Swept Away”

MoSS? Monthly Mixtape: October 2012

Side A : Chris’ Picks

1. Tame Impala, “Be Above It”

2. The Avett Brothers, “February Seven”

3. Rhye, “The Fall”

4. The xx, “Sunset”

5. How to Dress Well, “& It Was You”

 

Side B : Todd’s Picks

1. La Sera, “Break My Heart”

2. Cemeteries, “The Wilderness”

3. Echo Lake, “Young Silence”

4. Seapony, “Prove to Me”

5. Young Prisms, “Runner”